devant le dressoir, afin de pareillement faire ardoir, lorsque il est mestier’ (ibid., and you can p. 222 towards meaning of ‘mestier’). 291. Come across including Hall 1994, pp. 116-17. 292. Panofsky 1953, p. 203. 293. Meters. Robertson, Page, BM, vol. LXV, 1934, p. 297, discussing graffiti worldwide Church on Padua; V. pp. 41-dos. 294. Yernaux 1913, pp. 111-82, p. 130. 295. 177v: J. van den Gheyn, L’Ystoire de- Helayne. Brussels 1913, dish twenty-four. 296. J. Held, ‘Artis Pictoriae Amator’, GBA, 6e for each. vol. L, 1957, pp. 53-84, reprinted, which have additions, inside idem, Rubens and his awesome Community, ed. A good.W. Lowenthal et al., Princeton 1982, pp. 35-64. Discover and additionally R. Spronk, ‘More than simply suits the eye: An overview of Technical Examination of Early Netherlandish Images within Fogg Artwork Museum’, Harvard College Artwork Galleries Bulletin, vol. V (step one, Fall) 1996, pp. 8-thirteen. 297. Campbell 1990. p. 53. 298. II, Los angeles Chambre de l’ensemble des echevins, Bruges 1879, pp. 87-ninety, 2seven2-eight, an such like.; K.G. van Acker, Tconografische beschouwingen from inside the verband met de- 16e eeuwse gegraveerde portretten der graven van Vlaanderen’, OH, vol. LXXXIII, 1968, pp. 95-116. 299. L. Devliegher, De Onze-Lieve-Vrouwekerk te Kortrijk (Kunstpatrimonium van WestVlaanderen, vol. VI), Tielt and you may Utrecht 1973, pp. 72-5. 3 hundred. Age. de- Busscher, ‘Recherches sur les anciens peintres gantois’, Messager de l’ensemble des sciences historiques, 1859, pp. 105-271, p. 145 note 1. 301. The fresh Portrait ofLysbeth van Duvenvoorde (Amsterdam) and pendant portrait from the woman husband Symon van Adrichem, now-lost, was indeed painted during its relationship inside the 1430, most likely for the Haarlem; the new Lysbeth isn’t slightly full-size but is actually however intended to be presented using its partners, due to the fact an effective diptych that has been about a dual portrait

Pritchard, English Medieval Graffiti, Cambridge 1967

(understand the expo catalog Middeleeuwse kunst der Noordelijke Nederlanden, Rijksmuseum, Amsterdam 1958, p. forty and you may plate 1). For just one many miniature portraits of individuals when you look at the residential configurations, comprehend the Christine de- Pizan presenting her Guide to help you Isabella from Bavaria, King out-of France throughout the gathered weblog from Christine, of approximately 1410, BL, MS Harl. 4431, fol. step 3 (reproduced from the Meiss, quoted for the note 97, plate 151). 302. It is maybe value drawing focus on a good Bruges little out-of in the 1470 where a couple of boys remember a very nearly lifetime-size, fulllength double portrait off themselves: this really is in the Breslau Valerius Maximus (Staatsbibliothek. Berlin, MS Dep. Breslau dos), vol. II, fol. 6v: recreated from the 0. Smital, Le Livre d’heures noir du due Galeazzo Maria Sforza, Vienna 1930, text message vol., plate XV, fig. twenty-four. 303. Comprehend the texts of the stocks in notes step 3-5 and you will 7 over. 304. Friedlander, vol. VII, no. 163; Verougstraete-Marcq and you may Van Schoute 1989, pp. 129-30. 305. Buchner 1953, p. 158, fig. 43. 306. Ibid., dish 157. 307. ISADNB, vol. VIII, p. 210. 308. H. Verougstraete and you may Roentgen. Van Schoute, ‘Frames and you may Helps into the Campin’s Time’ from inside the Foister and Nash 1996, pp. 87-93, p. 91. 309. Look for, such as for instance, J.L. Collier, ‘Perspective regarding Arnolfini Portrait’, Ways Bulletin, vol. LXV, 1983, p. 691 (having a good drawing); J. Elkins, ‘On the Arnolfini Portrait plus the Lucca Madonna, Artwork Bulletin, vol. LXXIII, 1991, pp. 53-62. 310. That the is not a keen anachronistic style is actually turned out by the epitaph out of Simon Marmion, exactly who died in 1489. Marmion had ‘tout painct mais aussi tout ymagine’ along with started able to away from paint ‘toutte rien pingible’: get a hold of Ce Glay (quoted in note 289). 311. Look for mention 109. 312. The newest distortions was talked about in more detail by Billinge and you may Campbell 1995, pp. 50-9.

Good. Vandenpeereboom, Ypriana, vol

274. Panofsky 1934; pick and Panofsky 1953, pp. 201-3. 275. Fris (quoted within the notice 262), pp. 42-step three. 276. F. De- Potter, ed., Dagboek van Cornells dentro de Philip van Campene, Ghent 1870, p. 212 (‘zonder gheleerthede vande Latijnssche sprake’). On fol. 128v away from Den Spieghel are an excellent woodcut symbolizing the newest ‘Maid regarding Ghent’ on the tool FIDES Et AMOR and its own translation for the Dutch, TROVE [=troue] En LIEFDE. 277. Panofsky 1934, p. 123; Bedaux 1986, pp. 7-8; Hallway 1994, pp. 65, 153. 278. Panofsky 1953, p. 203. 279. See as well as Hallway 1994, pp. 106-12, for further arguments to help you Panofsky’s theory. 280. P.H. Schabacker, ‘De Matrimonio offer Morganaticam Contracto: Jan van Eyck’s “Arnolfini” Portrait Reconsidered’, Art